Abstract
This paper revisits the work on youth cultures and subcultures that emerged from Birmingham's Centre for Contemporary Cultural Studies (hereafter CCCS) during the 1970s. I engage with a number of recent critiques of the 'youth sub/cultures project', including Thornton's influential work on rave and club cultures and its troubled engagement with class. I argue that the focus of the youth sub/cultures project on mediated cultural practices through which young people constitute themselves and their (gendered, classed and racialised) positions remains of value, especially the emphasis on a 'symptomatic reading' that locates these processes in a 'conjunctural analysis'. I end by exploring the legacy of this project for understanding youth, class and culture in contemporary late modern society.
| Original language | English |
|---|---|
| Pages (from-to) | 245-259 |
| Number of pages | 15 |
| Journal | Journal of Youth Studies |
| Volume | 14 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 2011 |
Keywords
- social class
- consumption
- youth culture
- gender
- transition
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