Abstract

The mosaic coving at the Grade II* listed Freemasons’ Hall in London is an example of a mosaic on an Art Deco steel-framed building. Microstructural and chemical characterisation of loose mortars and tesserae were undertaken to inform conservation efforts and advise whether a protective coating was needed to prevent further fading of gold gilding. Rigorous testing used optical imaging, scanning electron microscopy, field emission scanning electron microscopy, energy dispersive X-ray analysis, Raman spectroscopy, X-ray diffraction, and thermogravimetric analysis with differential scanning calorimetry. Laboratory evidence demonstrated the glass tesserae were created using traditional techniques. The glass tesserae were soda-lime-silica glass with lead. The gold glass tessera was produced in the ancient Roman style which included a glass cartellina layer, so further protective coating was not needed. Historical records confirmed sheets of mosaic tesserae were prefabricated in Italy. The grout and thin-set mortar were the same low hydraulicity mortar mix, which enabled mosaic tesserae positions to be adjusted as required. The bedding coat mortar was a hydraulic cement mortar that was applied on top of an early example of foamed mortar from 1932. This unique study analyses a traditional style mosaic that was installed during a pivotal point in construction history where foamed mortars and steel framed buildings were introduced. It demonstrates how archival research and laboratory testing of small-sized samples enhance the building’s significance and architectural interest by improving the knowledge of its history.

Original languageEnglish
Pages (from-to)51-66
Number of pages16
JournalStudies in Conservation
Volume70
Issue number1
Early online date24 May 2024
DOIs
Publication statusPublished - 31 Jan 2025

Funding

This study was supported by the United Grand Lodge of England and the EPSRC Centre for Decarbonisation of the Built Environment (dCarb) [grant number EP/L016869/1]. The authors wish to thank Tessa Hunkin for helpful advice and discussions when investigating the mosaic craftsmen. Thanks are also due to Susan Snell, Louise Pichel, and their colleagues at the Museum of Freemasonry for arranging and facilitating a visit to study the museum\u2019s archives and for arranging copyright permission for historical photographs. Thank you also to Dr Olivier Camus and Mathew Ball at the University of Bath, and to Dr Philip Fletcher and Dr Gabriele Kociok-K\u00F6hn from the Materials and Chemical Characterisation Facility (MC2) at the University of Bath for technical support (University of Bath, n.d.).

FundersFunder number
Susan Snell, Louise Pichel
EPSRC Centre for Decarbonisation of the Built EnvironmentEP/L016869/1

    Keywords

    • Mosaic
    • Raman spectroscopy
    • energy dispersive X-ray analysis
    • lime mortar
    • scanning electron microscopy

    ASJC Scopus subject areas

    • Conservation

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