Leos Carax: Les Amants du Pont Neuf

W Everett

Research output: Chapter or section in a book/report/conference proceedingChapter or section


Acknowledging the somewhat contentious reception of 'Les Amants du Pont Neuf', both within and beyond France, this article argues that it is a reflection of the film's complex postmodern narrative in which identities are multiple and linearity is replaced by musical structures and playful self referentiality.
Original languageEnglish
Title of host publicationThe Cinema of France
EditorsPhil Powrie
Place of PublicationLondon & New York
Number of pages9
Publication statusPublished - 2006

Publication series

Name24 Frames


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