Acknowledging the somewhat contentious reception of 'Les Amants du Pont Neuf', both within and beyond France, this article argues that it is a reflection of the film's complex postmodern narrative in which identities are multiple and linearity is replaced by musical structures and playful self referentiality.
| Original language | English |
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| Title of host publication | The Cinema of France |
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| Editors | Phil Powrie |
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| Place of Publication | London & New York |
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| Publisher | Wallflower |
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| Pages | 207--215 |
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| Number of pages | 9 |
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| Publication status | Published - 2006 |
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| Name | 24 Frames |
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| Publisher | Wallflower |
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