Immersive: A Violent Interruption to a Visual Silence

Brad Evans, Chantal Meza

Research output: Contribution to journalArticlepeer-review


This essay addresses the violence of the digital world through its relationship to the visuality of noise and how it shapes the image of thought. Noting how deep and contemplative silence is integral to any creative and critical process, it fleshes out the ways the hyper-technologization of life is throwing us into an immersive abyss. This represents another indicator in the digital colonization of the human condition, through which the poetic is being completely appropriated by a technological vision for species being. Calling for a revival in attentive silence, it draws upon literary thinkers and artists, to move beyond the mimetic understanding for art (including the mimicry of images and sounds) and reveal the violent depths of digitalization and its total noise seduction which ultimately devour its own content. Over-stimulation thus becomes an audible clamor for lives lost within a digital trace; lives which no longer find they are able to cast any meaningful shadow.
Original languageEnglish
Pages (from-to)219-235
JournalWashington Review of Philosophy
Publication statusPublished - 22 Aug 2022


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