Fractal films and the architecture of complexity

W Everett

Research output: Contribution to journalArticle

21 Citations (Scopus)

Abstract

Within the postmodern understanding of the centrality of space to filmic narrative, it is now possible to discern new developments that reflect both the contradictory tensions of globalization, and the widespread obsession with theories of chaos, chance, and networks. Nowhere are these changes more acutely revealed than in 'fractal' films, filmic portrayals of urban space which no longer conforms to the linear mappings of modernity, but is posited as both entirely random and yet, at the same time, structured by complexity, simultaneity, and violent encounters. This article identifies a number of key issues within this new perception of urban geometry, and investigates their considerable significance for contemporary European cinema, with specific reference to the articulation of filmic space and the fragmentation of narrative form.
Original languageEnglish
Pages (from-to)159--171
Number of pages13
JournalStudies in European Cinema
Volume2
Publication statusPublished - Dec 2005

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Fractal
Contradictory
Simultaneity
Geometry
Urban Space
Cinema
Globalization
Centrality
Modernity
Chaos
Obsessions
Fragmentation
Articulation
Narrative Form
Portrayal

Cite this

Fractal films and the architecture of complexity. / Everett, W.

In: Studies in European Cinema, Vol. 2, 12.2005, p. 159--171.

Research output: Contribution to journalArticle

Everett, W. / Fractal films and the architecture of complexity. In: Studies in European Cinema. 2005 ; Vol. 2. pp. 159--171.
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