TY - GEN
T1 - Feeling Medusa: Tentacular Troubling of Academic Positionality, Recognition and Respectability - PhEm Special Issue
AU - Zarabadi, Shiva
AU - Taylor, Carol
AU - Fairchild, Nikki
AU - Rigmor Moxnes, Anna
N1 - https://feelucl.com/2020/11/20/phem-special-issue-feeling-medusa-tentacular-troubling-of-academic-positionality-recognition-and-respectability/
PY - 2020/11/20
Y1 - 2020/11/20
N2 - Taking up on Donna Haraway’s concept of String Figuring, or SF (2016), this article explores what it means—and, most importantly, what it does—to be a feminist academic in higher education. This eight-handed piece of research cuts deep into the tentacular recesses of gender, respectability, recognition, and more generally the entanglements bringing trouble into higher-ed spaces. Facing such a space is definitely unique to each and every feminist academic; yet, collaborative writing and other string connections can be put into place. As neo-liberal academia ossifies feminist flows, we can reply by feeling alongside the figure of Medusa: turning men to stone, shaking up traditional modes of knowledge making from her proto-feminism to their current feminist praxis. Shiva, Carol, Nikki, and Anna offer two contributions: deploying string figuring as “a proposition for feminist thinking” challenging higher education’s fixity, and enacting string figuring as “a mode of écriture feminine” developed by Hélène Cixous (1976).
AB - Taking up on Donna Haraway’s concept of String Figuring, or SF (2016), this article explores what it means—and, most importantly, what it does—to be a feminist academic in higher education. This eight-handed piece of research cuts deep into the tentacular recesses of gender, respectability, recognition, and more generally the entanglements bringing trouble into higher-ed spaces. Facing such a space is definitely unique to each and every feminist academic; yet, collaborative writing and other string connections can be put into place. As neo-liberal academia ossifies feminist flows, we can reply by feeling alongside the figure of Medusa: turning men to stone, shaking up traditional modes of knowledge making from her proto-feminism to their current feminist praxis. Shiva, Carol, Nikki, and Anna offer two contributions: deploying string figuring as “a proposition for feminist thinking” challenging higher education’s fixity, and enacting string figuring as “a mode of écriture feminine” developed by Hélène Cixous (1976).
M3 - Article
JO - Feminist Educational Engagement Lab
JF - Feminist Educational Engagement Lab
ER -