Projects per year
Abstract
With increasing interest in multisensory experiences in HCI there is a need to consider the potential impact of crossmodal correspondences (CCs) between sensory modalities on perception and interpretation. We investigated CCs between active haptic experiences of tangible 3D objects, visual colour and emotion using the Bouba/Kiki paradigm. We asked 30 participants to assign colours and emotional categories to 3D-printed objects with varying degrees of angularity and complexity. We found tendencies to associate high degrees of complexity and angularity with red colours, low brightness and high arousal levels. Less complex round shapes were associated with blue colours, high brightness and positive valence levels. These fndings contrast previously reported crossmodal efects triggered by 2D shapes of similar angularity and complexity, suggesting that designers cannot simply extrapolate potential perceptual and interpretive experiences elicited by 2D shapes to seemingly similar 3D tangible objects. Instead, we propose a design space for creating tangible multisensory artefacts that can trigger specifc emotional percepts and discuss implications for exploiting CCs in the design of interactive technology.
Original language | English |
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Title of host publication | CHI 2021 - Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems |
Subtitle of host publication | Making Waves, Combining Strengths |
Publisher | Association for Computing Machinery |
Pages | 1-12 |
Number of pages | 12 |
ISBN (Electronic) | 9781450380966 |
DOIs | |
Publication status | Published - 31 May 2021 |
Event | 2021 CHI Conference on Human Factors in Computing Systems - Yokohama, Japan Duration: 8 May 2021 → 13 May 2021 |
Publication series
Name | Conference on Human Factors in Computing Systems - Proceedings |
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Conference
Conference | 2021 CHI Conference on Human Factors in Computing Systems |
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Abbreviated title | CHI 21 |
Country/Territory | Japan |
City | Yokohama |
Period | 8/05/21 → 13/05/21 |
Bibliographical note
Funding Information:We would to thank the participants who took part in the reported study. Oussama Metatla’s research is partly supported by EPSRC Fellowship Grant EP/N00616X/2. Michael J. Proulx’s research is partly funded by CAMERA 2.0, the UKRI Centre for the Analysis of Motion, Entertainment Research and Applications (EP/T014865/1).
Publisher Copyright:
© 2021 ACM.
Keywords
- 3d printing
- Bouba
- Colour
- Crossmodal correspondences
- Emotions
- Kiki
- Multisensory interaction
- Touch
ASJC Scopus subject areas
- Human-Computer Interaction
- Computer Graphics and Computer-Aided Design
- Software
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Centre for the Analysis of Motion, Entertainment Research and Applications (CAMERA) - 2.0
Campbell, N. (PI), Cosker, D. (PI), Bilzon, J. (CoI), Campbell, N. (CoI), Cazzola, D. (CoI), Colyer, S. (CoI), Cosker, D. (CoI), Lutteroth, C. (CoI), McGuigan, P. (CoI), O'Neill, E. (CoI), Petrini, K. (CoI), Proulx, M. (CoI) & Yang, Y. (CoI)
Engineering and Physical Sciences Research Council
1/11/20 → 31/10/25
Project: Research council
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Centre for the Analysis of Motion, Entertainment Research and Applications (CAMERA)
Cosker, D. (PI), Bilzon, J. (CoI), Campbell, N. (CoI), Cazzola, D. (CoI), Colyer, S. (CoI), Fincham Haines, T. (CoI), Hall, P. (CoI), Kim, K. I. (CoI), Lutteroth, C. (CoI), McGuigan, P. (CoI), O'Neill, E. (CoI), Richardt, C. (CoI), Salo, A. (CoI), Seminati, E. (CoI), Tabor, A. (CoI) & Yang, Y. (CoI)
Engineering and Physical Sciences Research Council
1/09/15 → 28/02/21
Project: Research council