Abstract
The article discusses the nature and implications of Elia Kazan's previously unpublished Congressional testimony, exploring its significance for understanding of the cultural politics of the early Cold War period.
| Original language | English |
|---|---|
| Pages (from-to) | 251-272 |
| Number of pages | 22 |
| Journal | Historical Journal of Film Radio and Television |
| Volume | 25 |
| DOIs | |
| Publication status | Published - Jun 2005 |
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