Abstract

Shows such as The Mandalorian have used Virtual Production (VP) to great creative advantage. This combination, of tracked cameras and virtual environments, gives film crews the flexibility to rapidly iterate ideas and discover the best telling of their story within the time constraints of movie production. We explore if the same ideas can translate to pre-production, specifically if similar advantages can be found during the storyboarding phase. Developing a novel virtual production interface named Camera Chameleon, we compare user interaction against traditional keyboard/mouse peripherals when creating storyboards. Similar expert-rated quality is measured on storyboard output, however, users report increased enjoyment and complete shots more quickly. Novice users explore more when using our approach, demonstrating its creative potential.
Original languageEnglish
Title of host publication2024 IEEE International Conference on Multimedia and Expo, ICME 2024
Place of PublicationU. S. A.
PublisherIEEE
Pages1-6
ISBN (Electronic)9798350390155
DOIs
Publication statusPublished - 30 Sept 2024
Event2024 IEEE International Conference on Multimedia and Expo, ICME 2024 - Niagra Falls, Canada
Duration: 15 Jul 202419 Jul 2024

Publication series

NameProceedings - IEEE International Conference on Multimedia and Expo
ISSN (Print)1945-7871
ISSN (Electronic)1945-788X

Conference

Conference2024 IEEE International Conference on Multimedia and Expo, ICME 2024
Country/TerritoryCanada
CityNiagra Falls
Period15/07/2419/07/24

Funding

Work supported by EPSRC Centre for Digital Entertainment EP/L016540/1, EPSRC CAMERA 2.0 EP/T022523/1, and UKRI MyWorld Strength in Places SIPF00006/1

FundersFunder number
Centre for Digital EntertainmentEP/L016540/1
Engineering and Physical Sciences Research CouncilCAMERA 2.0 EP/T022523/1

Keywords

  • Cinematography
  • Human-Computer Interaction
  • Motion Tracking
  • Virtual Cinematography

ASJC Scopus subject areas

  • Computer Networks and Communications
  • Computer Science Applications

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