Abstract
In this chapter, we explore the experiences of a group of seven mature women dancers (Initial 6) in a contemporary dance class. We first discuss relevant literature on the ‘idealisation of youthfulness’ in Western theatre dance, and then introduce Braidotti’s affirmative ethics to consider how a dance class, as a localised community, can create change in cultural construction ageing. After offering a detailed description of our qualitative methods, we reveal how the process of training in contemporary dance provided a context whereby the dancers could subvert ageism that excludes mature women dancers and reclaim space (and joy) in contemporary dance.
| Original language | English |
|---|---|
| Title of host publication | Dance on! |
| Subtitle of host publication | Dancing through Life |
| Editors | Stephanie Burridge, Charlotte Svendler Nielsen |
| Place of Publication | London, U. K. |
| Publisher | Taylor and Francis/ Balkema |
| Chapter | 4.1 |
| Pages | 151-163 |
| Number of pages | 13 |
| Edition | 1st |
| ISBN (Electronic) | 9781000882506, 9781003307624 |
| ISBN (Print) | 9781032310152 |
| DOIs | |
| Publication status | Published - 1 Jan 2023 |
Bibliographical note
Publisher Copyright:© 2023 Taylor and Francis.
ASJC Scopus subject areas
- General Arts and Humanities
- General Social Sciences
Fingerprint
Dive into the research topics of 'BECOMING AN AFFIRMATIVE COMMUNITY: Mature dancers’ experiences in an age-aware contemporary dance class'. Together they form a unique fingerprint.Cite this
- APA
- Standard
- Harvard
- Vancouver
- Author
- BIBTEX
- RIS