Adapting a Live-Streamed Digital Theatre Experience Using Physiological Synchrony

Mike Richardson, Felix Carter, Ana Levordashka, Iain D. Gilchrist, Danae Stanton Fraser

Research output: Contribution to journalArticlepeer-review

Abstract

Digital theatre broadcasting has risen in popularity, yet it remains relatively novel, meaning the production norms for such content have yet to be established. We measured heart rate synchrony within three live-streamed performances and provided data to the filming team to inform the creative direction for the following performance. The audience demonstrated greater heart rate synchrony on the final night compared to the first two nights and rated the final night as significantly more enjoyable. We also measured movement data and narrative engagement and found that movement negatively correlated to narrative engagement and narrative engagement positively correlated with enjoyment. These results highlight the benefits of using physiological assessment of moment-by-moment audience experience and the potential for these data to shape the creative process.
Original languageEnglish
JournalProjections: The Journal for Movies and Mind
Publication statusAcceptance date - 25 Feb 2025

Funding

This study was supported by MyWorld, funded by the United Kingdom Research and Innovation, Strength in Places Fund (SIPF00006/1) and by Bristol and Bath Creative R&D, funded by the AHRC Creative Industries Cluster Programme (AH/S002936/1).

FundersFunder number
Arts and Humanities Research Council

Keywords

  • Audience Research
  • Digital Theatre
  • Physiological Feedback
  • Immersion
  • Narrative Engagement

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